Sean Kilpatrick

studied forensic photography, worked as a movie critic (a book critic, a resume writer, a caregiver, a teacher at high schools and colleges, a library technician, a translator), published poetry, prose, scripts, and criticism in two hundred magazines (Boston Review, Columbia Poetry Review, evergreen review, NERVE, FENCE, LIT, VICE, BOMB, DIAGRAM, New York Tyrant (double suicide or it wasn’t love – tote bag), Sleepingfish, Obsidian, berfrois, Vol. 1 Brooklyn, The Quietus, Hobart, young mag, forever mag, La Petite Zine, Pindeldyboz, Expat Press, tragickal, fluland, Terror House, NOÖ Journal, Jacket2, Exquisite Corpse, MiPoesias, Tarpaulin Sky, Forklift Ohio, Arsenic Lobster, Melancholia’s Tremulous Dreadlocks, Sixth Finch, Epicenter, Skidrow Penthouse, The Lifted Brow, Black Sun Lit, elimae, Alpha Beat Soup, Safety Propaganda, Countere, Apocalypse Confidential, Misery Tourism), hosted a podcast, another podcast, guested on podcasts, wrote r i t u a l (poetry), Tantrums (collections (hardcover) of publications averaging one a month for 20 years (hardcover)), and is currently finishing two novels, along with a feature film. tangorobot at gmail.com

Editorial Services

All prices negotiable / first page free. Level 1 Cut: a little bit your secretary (very low price). Level 2 Cut: corpulent proofreading (low price). Level 3 Cut: full curation (still low price).

Class

Class forthcoming on Theophile Gautier’s Preface to Mademoiselle De Maupin, John Davidson’s Poetry is Immoral, Alexander Theroux’s Metaphrastes: An Essay on Literature, Whistler’s Ten O’Clock lecture, George Saintsbury’s A History of English Prose Rhythm, Henry Sweet’s The History of Language, Hippolyte Taine’s History of English Literature, Herbert Read’s English Prose Style, Hugh Blair’ s Lectures on Rhetoric and Belles Lettres, Edwin Guest’s A History of English Rhythms, and Logan Pearsall Smith’s Fine Writing.

LibriVox readings